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ASK talks with Sherry Buschmann

I remember reading in Project Management Success Stories: Lessons of Project Leaders how you once took aside someone who was driving a forklift carrying an expensive piece of hardware and explained to him what he was handling, what it was supposed to be used for, how it would affect his life.

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Conference Report: Born Under a Good Sign

By Todd Post The 2001 Master’s Forum was held at the Doubletree Hotel in Tysons Corner, Virginia, and NASA project managers from every center were on hand.

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Open Newsletters

By Terry Little I suggest all project and program managers consider publishing a newsletter about their programs or projects for their team members.

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From PowerPoint Slides to Powerful Stories

By Dr. Alexander Laufer An experienced NASA project manager was invited to talk at a Knowledge Sharing (KS) meeting sponsored by the Academy of Program and Project Leadership (APPL).

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From the APPEL Director: My Future Revisited

By Ed Hoffman “And exactly what do you do for me?” asked then NASA Deputy Administrator, Hans Mark.

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In This Issue: How Big Is Your Project World?

By Todd Post How big is your project world? Is it big enough to contain other cultures, headquarters, hierarchies, and weird harpoon-like guns? Sure it is. The great American poet Walt Whitman said it best, “I am large/I contain multitudes.” And so must you, Mr. and Ms. Project Manager.

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ASK Talks with Jerry Madden

How do you like being a reviewer? Does it feel like you’re on the other side of the fence, so to speak?

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Refining Procedures: Calling All Stakeholders

By Ray Morgan Background For the longest time, we were not procedures oriented at AeroVironment. One guy at the top typically wrote flight procedures, and often that guy would leave out a whole bunch of stuff because, after all, he’s just one guy… there were things he didn’t think about.

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The Art of Scheduling

By Terry Little Most managers I know think that constructing a schedule is primarily a technical activity. I have found over the years that creating a realistic schedule for a complex project is mostly an art — one requiring lots of intuition, judgment and guesswork.

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